This is the way the world ends, not with a bang but a whimper. 关于幽灵的空间入侵论的探讨再一次凸显了黑泽清在日本恐怖类型片里的清流地位当然还包括网络监视录像与幽灵的联系和虚焦近景特写的运用方法对于笃定发生的死亡和死后的未知与无边无际的孤独的意识与恐惧是人类存在消失之谜的谜底大概我们还会继续这样疑虑和忧患下去吧
What purple noon would have been had its two leads been in their 30s/40s; 餐桌场景后尽是多余; I wish the director (born on the cusp of Aquarius and Pisces) did a better job portraying Marianne (or I wish that my stupid self understood her better); motivations, motivations; the pool as entrapment